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Biography

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Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.

 

Sime’s work achieves effects from dense narrative to austere modernist abstraction. Sime is as interested in a stripped motherboard from a mobile phone as he is an animal skull or worn-out button: the artist looks past the emotional weighting of new versus old, instead finding renewal everywhere, and taking greatest interest in the way that objects and ideas can connect in new ways.

 

Sime has a masterful handling of material, with fluency and pure formal instincts a hallmark of his practice. In the past decade he has sought to better understand the cultural and historic underpinnings of those instincts, traveling with the anthropologist Meskerem Assegued through rural villages in Ethiopia to research ancient rituals still in practice. Sime collects histories and vernacular techniques as much as objects.

 

Holland Cotter of The New York Times writes, “Sime’s work, while culturally specific, has always been universalist. And although never without critical thrust — no one knows better the horrors visited on Africa by shipments of toxic Western e-waste — it is utopian.”

 

As an extension of his art-making, Sime is involved in the exploration of vernacular architecture. Working with his longtime collaborator, Assegued, Sime co-founded, designed, and built the award-winning Zoma Museum in Addis Ababa, an environmentally conscious international art center described by The New York Times in 2009 as “a voluptuous dream, a swirl of ancient technique and ecstatic imagination.” Zoma Museum celebrated its grand opening in its new location in March 2019, with expanded facilities that include a gallery space, library, children’s center, edible garden, elementary school, art and vernacular school, amphitheater, cafe and museum shop.

 

Sime has exhibited extensively around the world. His work has been shown internationally at the Dak’Art Biennale of Contemporary African Art in Dakar, Senegal; the New Crowned Hope Festival in Vienna, Austria; and in the United States at the Metropolitan Museum of Art, New York; the Studio Museum in Harlem; and a survey exhibition that traveled from the Santa Monica Museum of Art, California, to the North Dakota Museum of Art. The Wellin Museum of Art at Hamilton College presented Elias Sime: Tightrope in the fall of 2019, marking the artist’s first major museum survey. Curated by Tracy L. Adler, the Wellin Museum’s Johnson-Pote Director, the exhibition highlights Sime’s work from the last decade, much of which comprises the series entitled Tightrope, alongside a selection of early works critical to the artist’s development. The exhibition travelled to the Akron Art Museum in Akron, Ohio, the Kemper Museum of Contemporary Art in Kansas City, Missouri, and will open at the Royal Ontario Museum in Toronto, Canada in Spring 2021. Elias Sime: Tightrope is accompanied by the first monograph focusing on the work of Elias Sime, co-published by the Wellin Museum of Art and DelMonico Books • Prestel. Sime was also the subject of a solo exhibition entitled Currents 118: Elias Sime, on view at the Saint Louis Art Museum from July 2020 to January 2021.

 

In 2019, Sime received an African Art Award from the Smithsonian National Museum of African Art and was shortlisted for the Hugo Boss Prize 2020.

 

Elias Sime’s work is included in the permanent collection of the Metropolitan Museum of Art, NY; Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College, Orlando, FL; Chrysler Museum of Art, Norfolk, VA; Detroit Institute of Arts, MI; Des Moines Art Center, Des Moines, IA; Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Hood Museum of Art, Dartmouth College, Hanover, NH; Israel Museum, Jerusalem, Israel; Kemper Museum of Contemporary Art, Kansas City, MO; Newark Museum, Newark, NJ; North Carolina Museum of Art, Raleigh, NC; North Dakota Museum of Art, Grand Forks, ND; Norval Foundation, Cape Town, South Africa; Pérez Art Museum Miami, Miami, FL; Pizzuti Collection at the Columbus Museum of Art, Columbus, OH; Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY; Royal Ontario Museum, Toronto, Canada; Saint Louis Art Museum, St. Louis, MO; Carl & Marilynn Thoma Art Foundation, Santa Fe, NM; Toledo Museum of Art, Toledo, OH; Utah Musuem of Fine Arts, Salt Lake City, UT; Virginia Museum of Fine Arts, Richmond, VA; 21st Century Museum of Contemporary Art, Kanazawa, Japan.

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Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.

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