SIMON EVANS Letter To The Future, 2011 Hand-stitched embroidery 9 1/2 X 11 3/4 inches

SIMON EVANS Shitty Heaven, 2010 Tape, paper and felt tip pen on paper 56 3/4 X 51 1/8 inches

SIMON EVANS Shitty Heaven, 2010 (detail) Tape, paper and felt tip pen on paper 56 3/4 X 51 1/8 inches

SIMON EVANS Positive Outcomes, 2011 Pen, paper, tape on board 112 X 112 cm

SIMON EVANS Positive Outcomes, 2011 (detail) Pen, paper, tape on board 112 X 112 cm

SIMON EVANS The Hand, 2011 Pen, paper, tape on board 38 X 38 inches

SIMON EVANS The Hand, 2011 (detail) Pen, paper, tape on board 38 X 38 inches

SIMON EVANS The Voice, 2010 Mixed media on paper 44 X 44 inches

SIMON EVANS The Voice, 2010 (detail) Mixed media on paper 44 X 44 inches

SIMON EVANS Vocabulary, 2011 Hand woven paper 187.4 X 143.5 cm

SIMON EVANS Vocabulary, 2011 (detail) Hand woven paper 187.4 X 143.5 cm

SIMON EVANS 300 Secrets, 2011 Paper, pen, white out, tape 10 1/8 X 49 3/4 inches

SIMON EVANS 300 Secrets, 2011 (detail) Paper, pen, white out, tape 10 1/8 X 49 3/4 inches

SIMON EVANS Companion, 2010 Pencil and scotch tape on paper 42 1/4 X 59 1/4 inches

SIMON EVANS Everyone, 2011 Photo collage, pen, paper, colored white out, lint, tape on board 140 X 200 cm

SIMON EVANS Everyone, 2011 (detail) Photo collage, pen, paper, colored white out, lint, tape on board 140 X 200 cm

SIMON EVANS Everyone, 2011 (detail) Photo collage, pen, paper, colored white out, lint, tape on board 140 X 200 cm

SIMON EVANS Everyone, 2011 (detail) Photo collage, pen, paper, colored white out, lint, tape on board 140 X 200 cm

Press Release

James Cohan Gallery is pleased to present Shitty Heaven, our second solo exhibition by Simon Evans, opening May 12th and running through June 11th, 2011. Evans meticulously assembles prosaic materials, such as scraps of paper, scotch tape, pencil shavings and correction fluid into diagrams, maps, flowcharts and diary entries that obsessively catalogue the fragments of a life. In 12 new text-based drawings, weavings and embroideries, the artist shares his confessional, idiosyncratic and wickedly humorous observations.

The exhibition’s title work, Shitty Heaven, envisions the other world as a planned suburban community, complete with its Gym, Clinic, Gallery and Church. At the center of this floor plan is the “Abyss of Excessive Enjoyment and Trauma,” anchoring a dystopic heaven where “things just happen and people blow apart, “comfortable places are overrun with rats and escaped slaves” and “you can tell your therapist everything.” The Bedroom is home to “freedom from night which is not to imply death,” while Indoor Shopping is fraught with “unease” and “dead relatives live through the money they have left” in the Gym.

A series of drawings of handwritten text radiating outward to repeat the title words The Hand, Positive Outcomes and The Voice marks a new exploration for the artist. Painstakingly crafted, these works function as a yantra or visual energy diagram traditionally used to direct focus during meditation or occult rituals. Evans’ first tapestry work, Letter to the Future, replicates the appearance of handwriting on a sheet of legal paper with carefully hand-stitched words addressed to the Future, describing a exhibitions when “they had blunt tools and everyone was lazy,” and signed from William Shakespeare.

In other works on view, Evans attempts to create a master chart sorting out all the people he knows in Everyone; aggregate a lexicon of universal icons in Vocabulary; and diagram out his own tongue-in-cheek version of Maslow’s hierarchy of needs in Survival. For a preview of the exhibition, please visit Shitty Heaven.

Simon Evans will participate in the 12th International Istanbul Biennial in Istanbul, Turkey in September 2011. His work has been the subject of solo exhibitions at Galeria Fortes-Vilaça, São Paulo; the Aspen Art Museum, Aspen; Jack Hanley Gallery, San Francisco and White Columns, New York. Evans has also been featured in important international group exhibitions, including Ground Level: Hayward Touring Curatorial Open 2010-11, London (2010); The World is Yours, Louisiana Museum of Modern Art, Humlebaek (2009); 31º Panorama da Arte Brasileira, Museu de Arte Moderna de São Paulo, São Paulo (2009); British Subjects: Identity and Self-Fashioning 1967–2009, Neuberger Museum of Art, Purchase (2009); Learn to Read, Tate Modern, London (2007); Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt (2007); All About Laughter: Humor in Contemporary Art, Mori Art Museum, Tokyo (2007) and the 27th São Paulo Biennial, São Paulo (2006). Simon Evans exhibitionsly lives and works in Berlin.

For further information, please contact Jane Cohan by e-mail or by telephone at 212.714.9500. For more information on Simon Evans, please visit his artist page on our website at James Cohan Gallery .

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