The late California artist Lee Mullican’s paintings are a uniquely West Coast exploration into abstraction; one that is grounded in content, full of mysticism and connections to the transcendent. Mullican describes, “We were involved with a kind of meditation, and for me this had a great deal to do with the study of nature, and the study of pattern…We were dealing with art as a way of meditation.” This outlook was in contrast to the heroic, action-driven work being made by his contemporaries, the New York School of Abstract Expressionists, on the east coast.
His productive sixty-year career was launched in San Francisco as one of three artists who identified as the Dynaton Group. Through a chance meeting, he became close to Gordon Onslow Ford and later met the Surrealist painter, Wolfgang Paalen, who had published the influential Dyn Magazine. Their shared interests culminated in the seminal Dynaton exhibition at San Francisco Museum of Art in 1951