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MONIR SHAHROUDY FARMANFARMAIAN, Poetry Books, 1974

MONIR SHAHROUDY FARMANFARMAIAN

Poetry Books, 1974

Mirror and reverse-glass painting on plaster and wood

47 1/4 x 29 1/2 in
120 x 75 cm

 

JCG18236

NAUDLINE PIERRE, Bathers, 2025

NAUDLINE PIERRE

Bathers, 2025

Oil on canvas

96 x 90 in
243.8 x 228.6 cm

 

JCG18577

JOSIAH MCELHENY, From the Library of Optics I, 2025

JOSIAH MCELHENY

From the Library of Optics I, 2025

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame

24 3/4 x 35 x 22 in
62.9 x 88.9 x 55.9 cm

 

JCG18820

EAMON ORE-GIRON, Infinite Regress LXXXII (Variation I), 2025

EAMON ORE-GIRON

Infinite Regress LXXXII (Variation I), 2025

Smalti hand-cut mosaic glass and 24 carat gold

49 1/2 x 84 in
125.7 x 213.4 cm

 

JCG18475

MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 1974

MONIR SHAHROUDY FARMANFARMAIAN

Untitled, 1974

Mirror mosaic, glass, reverse glass painting and plaster on wood

20 3/4 x 24 7/8 in
52.7 x 63.2 cm
25 1/2 x 30 x 3 in (framed)
64.8 x 76.2 x 7.6 cm (framed)

 

JCG19012

NAUDLINE PIERRE, Aquatican Song, 2025

NAUDLINE PIERRE

Aquatican Song, 2025

Oil on canvas

72 x 60 in
182.9 x 152.4 cm

 

JCG18575

JOSIAH MCELHENY, Late Emergence II, 2025

JOSIAH MCELHENY

Late Emergence II, 2025

Handblown and press-molded glass, super mirror polished stainless steel, electric lighting, rigging

78 in / 198 cm (approx. diameter)

 

JCG18588

EAMON ORE-GIRON, Infinite Regress CCIII (Variation I), 2025

EAMON ORE-GIRON

Infinite Regress CCIII (Variation I), 2025

Smalti hand-cut mosaic glass and 24 carat gold

47 x 60 in
119.4 x 152.4 cm

 

JCG18478

Press Release

For Frieze London, James Cohan is pleased to share a special presentation of work by Eamon Ore-Giron, Josiah McElheny, Naudline Pierre, and Monir Shahroudy Farmanfarmaian.

Eamon Ore-Giron's Infinite Regress mosaics recall the paradox of infinite regeneration, drawing on vocabularies of architecture, textiles, maps, hieroglyphics, and astral charts. Collaborating with artisans in Cuernavaca, Mexico, Ore-Giron uses smalti hand-cut mosaic glass and 24 carat gold glass pieces to interpret his compositions, celebrating the rich history of mosaics in Latin America.

Josiah McElheny's Late Emergence II, the latest in the artist's Island Universe series, models an ever-expanding cosmos in hand-blown glass and polished steel. Works like From the Library of Doubles VII and From the Library of Optics I extend this vision, their mirrored forms multiplying into infinite reflection.

Naudline Pierre’s paintings draw from fantasy and iconography to conjure alternate worlds. Revamping art historical motifs to explore the mythic power of water, Pierre's latest paintings invite us into aquatic landscapes where chimeric characters like sirens and nymphs are bound in mysterious entanglement.

Monir Shahroudy Farmanfarmaian’s wall-hanging sculptures, disco balls and intricate geometric drawings will be on view. Highlights include rare and early works from the 1970s, which fuse Farmamfarmaian’s interest in mirror mosaics, floral drawing and Persian poetry.

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