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MERNET LARSEN, Skydiver, 2016.  

MERNET LARSEN

Skydiver, 2016.  

Acrylic and mixed media on canvas

65 x 53 in

165.1 x 134.6 cm

 

 

JCG9015

 

 

MERNET LARSEN, Chainsawer and Bicyclist, 2014

MERNET LARSEN

Chainsawer and Bicyclist, 2014

Acrylic and mixed media on canvas 

49 1/2 x 49 in

125.7 x 124.5 cm

 

 

JCG8258

 

MERNET LARSEN, Misstep, 2015

MERNET LARSEN

Misstep, 2015

Acrylic and mixed media on canvas.

50 x 60 in.

127 x 152.4 cm

 

JCG8182

 

MERNET LARSEN, Reading in Bed, 2015

MERNET LARSEN

Reading in Bed, 2015

Acrylic and mixed media on canvas

60 x 38 1/4 in

152.4 x 97.2 cm

 

JCG8263

 

MERNET LARSEN, Alphie, 2015

MERNET LARSEN

Alphie, 2015

Acrylic and mixed media on canvas

71 1/8 x 39 1/2 in.

152.4 x 97.2 cm

 

JCG8257

 

MERNET LARSEN, Campers, 2015

MERNET LARSEN

Campers, 2015

Acrylic and mixed media on canvas

52 1/2 x 64 in.

133.3 x 162.6 cm

 

JCG8181

 

MERNET LARSEN, Frontier, 2015

MERNET LARSEN

Frontier, 2015

Acrylic and mixed media on canvas

64 x 52 1/2 in

162.6 x 133.3 cm

 

JCG8180

MERNET LARSEN, Punch, 2016

MERNET LARSEN

Punch, 2016

Acrylic and mixed media on canvas 

68 1/2 x 61 1/2 in

174 x 156.2 cm

 

JCG8281

 

MERNET LARSEN, Study for Couple #3, 2004

MERNET LARSEN

Study for Couple #3, 2004

Acrylic on Bristol board

17 3/4 x 11 3/4 in.

45.1 x 29.8 cm.

 

JCG8216

 

MERNET LARSEN, Study for Faculty Meeting, 2008

MERNET LARSEN

Study for Faculty Meeting, 2008

Acrylic on Bristol board

19 x 24 in.

48.3 x 61 cm

 

JCG8203

MERNET LARSEN, Study for Reunion, 2012

MERNET LARSEN

Study for Reunion, 2012

Acrylic on Bristol board

19 x 24 in.

48.3 x 61 cm

 

JCG8206

 

MERNET LARSEN, Study for Skier, 2013

MERNET LARSEN

Study for Skier, 2013

Acrylic on Bristol board

19 x 24 in

48.3 x 61 cm

 

JCG8192

 

MERNET LARSEN, Study for Cube, 2004

MERNET LARSEN

Study for Cube, 2004

 Acrylic on Bristol board

19 x 24 in.

48.3 x 61 cm

 

JCG8202

MERNET LARSEN, Dialog, 2012

MERNET LARSEN

Dialog, 2012

Acrylic on Bristol board

15 1/2 x 19 in

39.4 x 48.3 cm

 

JCG8213

MERNET LARSEN, Study for Couple #2, 2004

MERNET LARSEN

Study for Couple #2, 2004

Acrylic on Bristol board

19 x 16 in

48.3 x 40.6 cm

 

JCG8215

MERNET LARSEN, Smog, 2005

MERNET LARSEN

Smog, 2005

Acrylic and tracing paper on canvas

42 x 22 in

106.7 x 55.9 cm

 

JCG8168

Press Release

MERNET LARSEN, Misstep, 2015

MERNET LARSEN, Misstep, 2015 

Mernet Larsen
Things People Do

 

OPENING RECEPTION: FRIDAY JAN 22, 6–8 PM

 

James Cohan is pleased to present Things People Do, the gallery’s first solo exhibition of work by Mernet Larsen. The show will be on view from January 22 through February 21, 2016 at the gallery’s Lower East Side location, with an opening reception on Friday, January 22 from 6-8 PM.
 
Mernet Larsen’s paintings are simultaneously rooted in and distant from reality. Taking inspiration from the geometric abstractions of El Lissitzky and the narrative stylization of twelfth-century Japanese and early Renaissance paintings, Larsen’s vertiginous spaces often rendered in reverse perspective, and hard edged figures offer familiar versions of reality that are analogous and parallel to our own. Developed over the last 40 years, Larsen’s independent and meticulous approach to narrative painting “reaches toward, not from, life.”
 
In the early 2000s,  Larsen came to a crucial turning point in her work: “I decided that I wanted to paint old-fashioned narrative paintings with volume and depth and the essences of significant actions. I developed a longing for pictures evoking a classical sense of permanence and solidity in the spirit of fifteenth-century Italian painting. But I knew these paintings would be statements of longing, of recognition that essences must be constructed, not uncovered. They would have to be makeshift contraptions, taking into consideration the issues I had been dealing with for the previous 40 years.”
Things People Do presents a selection of new and recent paintings that demonstrate two of Larsens distinct approaches: reverse perspective and what she refers to as “rorschaching.” In Alphie (2015), one in a series of paintings whose subjects are rendered in reverse perspective, the background looms impossibly large while the foreground paradoxically shrinks. In another work, Misstep (2015), Larsen devises an improbable narrative of two figures teetering off the edge of a building. Here, the geometrical characters evolved through this “rorschaching” process of imaginatively constructing figures from the abstract lines of El Lissitzky’s compositions. Larsen uses these two approaches as catalysts to develop highly idiosyncratic and narrative worlds that stretch beyond the seemingly static categories of “figurative” and “abstract.”
 
Mernet Larsen has recently been the subject of solo exhibitions at Various Small Fires, Los Angeles (2015), and Johannes Vogt, New York (2012).  In 2016, Larsen was selected to be included in Phaidon Press’s forthcoming edition of the Vitamin P: New Perspectives in Painting series, to be published this fall. Reviews of her work have also appeared in Mousse Magazine, ArtForum, The New York Times, Hyperallergic, ArtReview, and The LA Times. Additionally, her work is housed in many significant collections, including The Walker Art Center, Minneapolis, MN., Los Angeles County Museum of Art, CA., Zabludowitz Collection, London, Levy Collection, Paris, Ringling Museum of Art, FL, Museum of Fine Arts, St. Petersburg, FL, and the Tampa Museum of Art, FL. Since the late 1970s, Larsen has exhibited extensively in Florida, having over 30 solo exhibitions, including career retrospectives at the DeLand Museum of Art, Florida (1992), and the Morean Art Center, St. Petersburg, Florida (2010).  In addition, Larsen has been part of over 70 group shows including Sadie Coles HQ and White Cube in London, the National Museum of Womenin the Arts in Washington D.C., and the American Academy of Arts and Letters, Regina Rex, the New York Studio School Gallery and Lisa Cooley in New York City.
 
Larsen (b. 1940 Houghton, Michigan) received her BFA from the University of Florida, and her MFA from Indiana University, and lives and works between Tampa, Florida and Jackson Heights, New York.
 
For press inquiries, please contact Jeffrey Waldron at jwaldron@jamescohan.com or 212-714-9500.
 
For other inquiries, please contact Allison Galgiani at agalgiani@jamescohan.com or at 212-714-9500.
 
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