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Brightly colored abstract shapes

SCOTT OLSON
Untitled 

2019
Oil on linen with artist frame
33 1/2 x 23 1/2 in
85.1 x 59.7 cm

 

JCG10966

Brightly colored, yellow-ish field of shapes

SCOTT OLSON
Untitled

2019
Oil on panel with artist frame
30 1/2 x 22 1/2 in
77.5 x 57.1 cm

 

JCG10969

Colored abstract shapes

SCOTT OLSON
Untitled

2019
Oil on panel
30 x 20 in
76.2 x 50.8 cm

 

JCG10968

Brightly colored field of rounded shapes

SCOTT OLSON
Untitled

2019
Oil on linen with artist frame
28 1/2 x 26 1/2 in
72.4 x 67.3 cm

 

JCG10973

Colorful abstract composition by Scott Olson

SCOTT OLSON
Untitled

2019
oil on panel
32 x 30 in.

 

JCG10943
 

Brightly colored field of rounded shapes

SCOTT OLSON
Untitled 

2019
oil on panel
31 1/2 x 20 1/2 in
80 x 52.1 cm

 

JCG10946

Colored abstract shapes

SCOTT OLSON
Untitled

2019
Oil on linen with artist frame
29 x 24 1/2 in
73.7 x 62.2 cm

 

JCG10960

Brightly colored abstract shapes

SCOTT OLSON
Untitled

2019
Oil on linen with artist frame
27 x 28 3/4 inches

 

JCG10963

Brightly colored abstract shapes

SCOTT OLSON
Untitled

2019
Oil on panel with artist frame
18 1/2 x 19 3/4 in
47 x 50.2 cm

 

JCG10972

Brightly colored field of rounded shapes

SCOTT OLSON
Untitled

2019
Oil on panel with artist frame
29 1/2 x 25 1/2 inches

 

JCG10967

Brightly colored field of abstract shapes

SCOTT OLSON
Untitled

2019
Oil on linen with artist frame
29 x 24 1/2 in
73.7 x 62.2 cm


JCG10964

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Installation view, Scott Olson at James Cohan, 291 Grand Street, June 20 - July 26, 2019

Press Release

James Cohan is pleased to present an exhibition of new paintings by Scott Olson at the gallery’s Lower East Side location, on view from June 20 through July 26. This is the artist’s second solo exhibition at James Cohan. The gallery will host an opening reception with the artist on Thursday, June 20 from 6-8 PM.

 

Scott Olson’s painting practice is rooted in a deep investigation of painting’s materials, tools, and history, but also in performance, music, and improvisation. Through a process involving layering and removing through the use of glazes, masking, and scraping, the composition becomes an index of his maneuvers; a deliberate record of his process to which the viewer becomes witness. Olson considers surface and framing as constructs in his work. He often employs a handmade frame and wide fields of monochromatic space around a central—or strikingly decentered—painted field that act as a physical edge to the painting and call attention to its nature as both an image and an object. Olson builds his frames from wood sourced from Northeast Ohio trees, imbuing the works with both a physical connection to the artist’s locality and a strong sense of labor and craft.

 

The paintings in this exhibition are reflective of Olson’s accumulative, ongoing exploration into and refinement of his materials and processes. Each painting develops through a series of instinctual choices and gestures that comprise variations within a highly considered vocabulary, their execution a push and pull between the traditional and the experimental. Marble-dust gesso recipes from Renaissance artist manuals are layered with store-bought oil paints, playing out a personal art history of sorts upon the canvas. These intimately scaled works on linen and panel share a percussive pattern of overlapping and interlocking prismatic forms and a quietly luminous palette suggestive of primordial mixtures of things—of alchemy and alchemical processes. They invite sustained individual contemplation, seeming to pulse and unfold before the eyes of the viewer in a state of perpetual openness. Incrementally, Olson has introduced subtle plays with illusion and depth into his work. As he notes, “I have been introducing more dimensionality or shadow through the optical mixing of paint in thin layers or a simple juxtaposition or gradation of dark and light. I think of this not as inhabitable space or a convincing illusion of some sort. These spaces are more akin to the shallow depth and space that can be found in the weave of a fabric. It’s still depicted space, there’s a suggestion of dimensionality there, but like my thinking about the borders, frames, architecture, material and tradition, there is an attempt to create these spatial areas and undermine them at the same time.”

 

Scott Olson (b. 1976, Syracuse, New York) has been the subject of several solo exhibitions in New York, Los Angeles, Berlin and Stockholm. In 2017, the Cleveland Museum of Art organized a solo exhibition of his work, presented at the Transformer Station, Cleveland, OH. His work is included in the permanent collections of institutions including the Hammer Museum, Los Angeles, and the Cleveland Museum of Art. Olson has been included in numerous group exhibitions, including City Prince/sses, curated by Chris Sharp, at the Palais de Tokyo, Paris, France (2019); The Great Lakes Research, a part of FRONT International: Cleveland Triennial for Contemporary Art at the Cleveland Institute of Art (2018); The Young Years at the Tang Teaching Museum, Skidmore College; Realization is Better than Anticipation, MOCA Cleveland (2013) and Painter Painter at the Walker Art Center, Minneapolis, MN (2013). The artist currently lives and works in Kent, Ohio.

 

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