Skip to content
Image of INGRID CALAME's From #253 Drawing (Tracing from the Indianapolis Motor Speedway and the L.A. River) 绘画253号(从印第安纳波利斯高速公路和洛杉矶河得到描图), 2008

INGRID CALAME From #253 Drawing (Tracing from the Indianapolis Motor Speedway and the L.A. River) 绘画253号(从印第安纳波利斯高速公路和洛杉矶河得到描图), 2008 Oil paint on aluminum 铝板油画 19 1/4 x 11 1/2 inches; 48.9 x 29.2 cm

Image of INGRID CALAME's #248 Drawing (Tracings up to the L.A. River placed in the Clark Telescope Dome, Lowell Observatory, Flagstaff, AZ) 绘画248号(亚利桑那州,弗拉格斯塔夫,洛厄尔天文台,克拉克望远观测台,往洛杉矶河追踪, 2006

INGRID CALAME #248 Drawing (Tracings up to the L.A. River placed in the Clark Telescope Dome, Lowell Observatory, Flagstaff, AZ) 绘画248号(亚利桑那州,弗拉格斯塔夫,洛厄尔天文台,克拉克望远观测台,往洛杉矶河追踪, 2006 Color pencil on trace Mylar 彩色铅笔于聚酯薄膜 26 x 18 inches; 66 x 45.7 cm

Image of FOLKERT DE JONG's Usual Business 一如既往, 2008

FOLKERT DE JONG Usual Business 一如既往, 2008 Styrofoam, pigmented polyurethane foam 发泡胶、染色质聚氨酯泡沫塑料 27 1/2 x 43 1/4 x 78 3/4 inches; 70 x 110 x 200 cm

Image of GUO HONGWEI's 郭鸿蔚 Still Life #4 生物 #4, 2010

GUO HONGWEI 郭鸿蔚 Still Life #4 生物 #4, 2010 Watercolor on paper 纸本水彩 26 3/8 x 39 3/4 inches; 67 x 101 cm

Image of GUO HONGWEI's 郭鸿蔚 Still Life #7 生物 #7, 2010

GUO HONGWEI 郭鸿蔚 Still Life #7 生物 #7, 2010 Watercolor on paper 纸本水彩 26 3/8 x 39 3/4 inches x 2; 67 x 101 cm x 2 Set of 2

Image of GUO HONGWEI's 郭鸿蔚 The Dark Side—Skull #1 暗面——头骨 #1, 2010

GUO HONGWEI 郭鸿蔚 The Dark Side—Skull #1 暗面——头骨 #1, 2010 Oil on canvas 布面油画 39 3/8 x 31 1/2 inches; 100 x 80 cm

Image of YUN-FEI JI's 季云飞 After the Great Leap 大跃进之后, 2005

YUN-FEI JI 季云飞 After the Great Leap 大跃进之后, 2005 Mineral pigment on rice paper 宣纸上矿物颜料 26 3/4 x 19 1/4 inches; 68.0 x 49.0 cm

Image of YUN-FEI JI's 季云飞 Floating Weed #3 浮草 #3, 2007

YUN-FEI JI 季云飞 Floating Weed #3 浮草 #3, 2007 Mineral pigments and ink on mulberry paper 桑皮纸上矿物颜料与水墨 27 3/4 x 141 inches; 70.5 x 358.0 cm

Image of YUN-FEI JI's 季云飞 Study for Water Rising # 2 洪水习作2, 2006

YUN-FEI JI 季云飞 Study for Water Rising # 2 洪水习作2, 2006 Pencil and water color on paper 纸本水彩、铅笔 8 1/4 x 11 1/8 inches; 21 x 28.3 cm

Image of YUN-FEI JI's 季云飞 Study for Water Rising # 6 洪水习作6, 2006

YUN-FEI JI 季云飞 Study for Water Rising # 6 洪水习作6, 2006 Pencil and water color on paper 纸本水彩、铅笔 8 1/4 x 11 1/8 inches; 21 x 28.3 cm

YUN-FEI JI 季云飞

YUN-FEI JI 季云飞 Study for Water Rising # 13 洪水习作13, 2006 Pencil and water color on paper 纸本水彩、铅笔 8 1/4 x 11 1/8 inches; 21 x 28.3 cm

Image of ALEX KATZ's Blue Coat (Vincent) 蓝衣(文森特), 1993

ALEX KATZ Blue Coat (Vincent) 蓝衣(文森特), 1993 Aquatint 凹板版印 Image: 24 x 11 3/4 inches; 61 x 29.8 cm Paper: 37 x 23 3/4 inches; 94 x 60.3 cm Edition of 30

Image of ALEX KATZ's Vivien 薇薇恩, 1994

ALEX KATZ Vivien 薇薇恩, 1994 Aquatint 凹板版印 25 1/2 x 25 1/2 inches; 64.8 x 64.8 cm Edition of 50

Image of RICHARD LONG's Untitled 无题, 2006

RICHARD LONG Untitled 无题, 2006 Black paint, Avon mud on wood 木上黑色绘画与埃文泥 16 7/8 x 12 1/4 x 2 3/4 inches; 43 x 31 x 7 cm

Image of RICHARD LONG's A Stone Line Before a Blizzard a Fifteen Day Walk Into National Forest, California Winter 暴风雪前的石线,15天进入国家森林公园,加州的冬天, 2000

RICHARD LONG A Stone Line Before a Blizzard a Fifteen Day Walk Into National Forest, California Winter 暴风雪前的石线,15天进入国家森林公园,加州的冬天, 2000 Photograph and text 照片与文字 32 1/4 x 43 5/16 inches; 82 x 110 cm

Image of RICHARD LONG's Untitled 无题, 2006

RICHARD LONG Untitled 无题, 2006 Black paint and China clay on wood 木上黑色绘画与中国泥 13 x 16 7/8 x 4 1/2 inches; 33 x 43 x 11.5 cm

Image of RICHARD LONG's Untitled 无题, 2006

RICHARD LONG Untitled 无题, 2006 River Avon mud on card 卡纸上埃文河泥 7 3/4 x 11 inches; 19.8 x 27.9 cm

Image of RICHARD LONG's Untitled 无题, 2006

RICHARD LONG Untitled 无题, 2006 River Avon mud on card卡纸上埃文河泥 9 7/8 x 10 5/8 inches; 25 x 27 cm

Image of RICHARD LONG's Untitled 无题, 2006

RICHARD LONG Untitled 无题, 2006 River Avon mud on card 卡纸上埃文河泥 11 5/8 x 11 inches; 29.6 x 27.8 cm

Image of RICHARD LONG's Untitled 无题, 2010

RICHARD LONG Untitled 无题, 2010 White china clay on black card 黑色卡纸上白色中国泥 30 7/8 x 23 1/4 inches; 78.5 x 59 cm

Image of RICHARD LONG's Untitled 无题, 2011

RICHARD LONG Untitled 无题, 2011 Acrylic on mylar丙烯于聚酯薄膜 89 x 12 3/5 inches; 226 x 32 cm

Image of RICHARD LONG's 理查德•朗 Untitled 无题, 2011

RICHARD LONG 理查德•朗 Untitled 无题, 2011 Acrylic on mylar 丙烯于聚酯薄膜 95 1/2 x 12 3/5 inches; 235 x 32 cm

Image of JOAN NELSON's Untitled 无题, 1991

JOAN NELSON Untitled 无题, 1991 Acrylic, ink, enamel on panel板上丙烯、墨、瓷釉 12 x 24 inches; 30.5 x 61 cm

Image of JOAN NELSON's Untitled 无题, 2009

JOAN NELSON Untitled 无题, 2009 Acrylic, ink, enamel on panel板上丙烯、墨、瓷釉 8 X 8 inches; 20 x 20 cm

Image of JOAN NELSON's Untitled 无题, 2009

JOAN NELSON Untitled 无题, 2009 Acrylic, ink, enamel on panel 板上丙烯、墨、瓷釉 15 X 15 inches; 38 x 38 cm

Image of JOAN NELSON's Untitled 无题, 2008

JOAN NELSON Untitled 无题, 2008 Acrylic, ink, enamel on panel 板上丙烯、墨、瓷釉 9 x 12 inches; 22.9 x 30.5 cm

Image of ROXY PAINE's 16161052009 D, 2009

ROXY PAINE 16161052009 D, 2009 Acrylic on linen 丙烯酸树脂于亚麻布面 21 x 16 x 4 1/2 inches; 53.3 x 40.6 x 11.4 cm

Image of ROXY PAINE's PMU No. 43, 2010

ROXY PAINE PMU No. 43, 2010 Acrylic on linen丙烯酸树脂于亚麻布面 39 x 59 x 4 1/2 inches (approx.); 99.1 x 149.9 x 11.4 cm

Image of ROXY PAINE's SCUMAK (S2-P2-DB49), 2008

ROXY PAINE SCUMAK (S2-P2-DB49), 2008 Low density polyethylene低密度聚乙烯 29 1/2 x 25 1/5 x 13 inches; 75 x 64 x 33 cm

Image of HIRAKI SAWA's Record 记录, 2011

HIRAKI SAWA Record 记录, 2011 Digital video with custom casing and monitor 4 1/4 x 10 3/4 x 1 1/4 inches open; 打开10.8 x 27.3 x 3.2 cm 4 1/4 x 6 5/8 x 1 1/4 inches closed; 合上10.8 x 16.8 x 3.2 cm Variable edition of 8

Image of KAREN SEAPKER's Slip 滑动, 2010

KAREN SEAPKER Slip 滑动, 2010 Oil on panel 板面油画 16 x 20 inches; 40.6 x 50.8 cm

Image of KAREN SEAPKER's Almost Where 接近, 2010

KAREN SEAPKER Almost Where 接近, 2010 Oil on panel 板面油画 16 x 20 inches; 40.6 x 50.8 cm

Image of SHI ZHIYING's 石至莹 Grass 草, 2010

SHI ZHIYING 石至莹 Grass 草, 2010 Oil on canvas 布面油画 78 3/4 x 78 3/4 inches; 200 x 200 cm

Image of SHI ZHIYING's 石至莹 Grass 草, 2010

SHI ZHIYING 石至莹 Grass 草, 2010 Oil on canvas 布面油画 15 3/4 x 11 3/4 inches; 40 x 30 cm

Image of SHI ZHIYING's 石至莹 Moth on the Wall 墙上的飞蛾, 2010

SHI ZHIYING 石至莹 Moth on the Wall 墙上的飞蛾, 2010 Oil on canvas 布面油画 15 3/4 x 11 3/4 inches; 40 x 30 cm

Image of SHI ZHIYING's 石至莹 The Universe 宇宙星云, 2010

SHI ZHIYING 石至莹 The Universe 宇宙星云, 2010 Oil on canvas 布面油画 11 3/4 x 15 3/4 inches; 30 x 40 cm

Image of WANG XIEDA's 王燮达 Sages' Sayings 子曰0903, 2009

WANG XIEDA 王燮达 Sages' Sayings 子曰0903, 2009 Rattan, paper pulp, ink, sand, light, shadow, glass and charcoal powder 藤、纸浆、水墨、白沙、碳粉等综合媒介 21 11/16 x 40 3/16 x 15 3/4 inches; 55 x 102 x 40 cm

Press Release

*Please scroll down for English.

画廊艺术家作品联展

2012年2月11日至2月29日

上海James Cohan画廊 地址:徐汇区岳阳路170弄1号楼1楼,近永嘉路

上海James Cohan画廊将于2月11日至2月29日推出冬季画廊艺术家作品联展。展览将展示过去几年在画廊举办过个展或群展的艺术家们,并且也将展示两位最近加入画廊的艺术家——王燮达和石至莹的作品。

熟悉画廊的观众对此次展览中的不少艺术家和部分作品不会感到陌生,但“联展”提供了一个新的视角,将作品置于不同的语境与对话中重新来观看。一些主题贯穿于展览,并将不同的作品连接起来。在Joan Nelson、Karen Seapker、石至莹和Yuko Murata 的作品中就能明显看到风景和自然世界的主题;而季云飞三米多长的作品《浮草#3》,展现三峡地区无家可归的迁移人民的场景,则揭示了另一种创伤性的人为变动影响到成千上万的民众生活的风景。Folkert de Jong充满嘲讽意味的雕塑《一如既往》,一只猴子戴着帽子握着手杖,与此相呼应的是郭鸿蔚的看起来颇具凶兆的穴居人的头骨,仿佛在提醒着我们达尔文的理论“物竞天择,适者生存”。Ingrid Calame的绘画错综精巧地追踪着洛杉矶河岸,Richard Long的埃文河泥指纹印作品,Hiraki Sawa的影像作品《记录》是关于地点的转换,有真实的也有想象的(作品置于一个小小的古董游戏盒子里),这些作品展现给我们艺术家记录记忆与时间的不同方式。同时展出的还有在过去的一两年间曾在画廊举办过个展的Alex Katz、Roxy Paine和王燮达的作品。

更多信息或图片,请联系 周冰心 izhou@jamescohan.com或 +86-21-54660825。画廊工作时间:周二至周六,早10点至晚6点,周日中午12点至晚6点,周一请预约。

SELECTED WORKS

February 11 through February 29, 2012

Venue: James Cohan Gallery Shanghai Address: 1F, Building 1, No.170 Yueyang Road, by Yongjia Road

James Cohan Gallery Shanghai presents its winter interim exhibition Selected Works. Opening February 11 and continuing to February 29, the exhibition highlights many of the artists who have shown in solo or group exhibitions at the gallery during the exhibitions year, and will also include two new artists, Wang Xieda and Shi Zhiying, who have both recently joined the gallery’s program.

While a number of the artists or specific works might be familiar to frequent visitors of the gallery over the exhibitions year, Selected Works offers a chance to see certain pieces with fresh eyes and in a different context or dialogue with each other. Certain themes run throughout this exhibition that clearly connect the works on view. The landscape and natural world, for example, will be evident in the paintings by Joan Nelson, Karen Seapker, Shi Zhiying, and Yuko Murata, whereas Yun-fei Ji’s major three-meter scroll work Floating Weed #3, populated with displaced, migrating inhabitants around The Three Gorges Dam region, reveals another story about the landscape undergoing traumatic man-made changes affecting the lives of thousands. The pairing of Folkert de Jong’s sardonic sculpture Usual Business with its monkey poised in top hat and cane alongside Guo Hongwei’s ominous painting of a Neanderthal skull underscores or urges us to consider Darwin’s famous theory on “the survival of the fittest.” Ingrid Calame’s intricate drawing and painting of tracings along the Los Angeles River bank, Richard Long’s fingerprint Avon River mud works, and Hiraki Sawa’s video, titled Record, of places in transition--both real and imaginary (and to be viewed inside a small antique game box)--brings to mind different ways in which artists record memory and the passage of time. Alex Katz, Roxy Paine, and Wang Xieda--all of whom having had major solo exhibitions at the gallery in the exhibitions year--will also have works on view.

For further information or additional images, please contact Ms. Ivy Zhou at izhou@jamescohan.com or +86 - 21 - 54660825. Gallery hours: Tuesday - Saturday, 10-6 p.m., Sunday 12-6 p.m., and Monday by appointment.

Back To Top