Bill Viola ARTICLES AND REVIEWS
Canadian Art, "Bill Viola on Going Into Tristan Und Isolde’s Deeps" by Leah Sandals, January 29, 2013
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Creative Planet, "Bill Viola's Video Visions: Turning 'Tristan und Isolde' Into An Immersive", by James Careless, January 25, 2013
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The Art Newspaper, "How to avoid information overload: the importance of meditation, mirages and tuning out," by Helen Stoilas, December 6, 2012
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Art Info, (Chinese)Bill Viola, interviewed by Daniel Kunitz
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The New York Times, "For Some Visitors to Art Basel Miami Beach, a Reminder of Sandy’s Ravages," by Patricia Cohen, December 5,2012
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The New York Times, "Art Basel Miami Beach: Pregame Events," by Patricia Cohen, December 5, 2012
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Modern Painters, "Portfolio: Bill Viola," by Kira Perov, December, 2012
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New York Times, “A Sea of Solitary Islands, Coming Together” by Hilarie M. Sheets, 2012.10.26
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Art Ukraine, “ARSENALE'S DIARY: Bill Viola. ‘I did not choose video, video chose me,’” by Vera Ganzha, July 18, 2012
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Philly.com, "Bill Viola's video exhibited at the Pennsylvania Academy of the Fine Arts" by Roberta Fallon, July 6, 2012
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The Guardian, “Portrait of the artist: Bill Viola, video artist,” by Laura Barnett, May 15, 2012
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ArtDaily.org, “For the first time in Kansas City: Riveting Bill Viola video opens at Nelson-Atkins Museum”, January 18, 2012
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Financial Times, “Old Masters: how Hockney and Viola put the new to ancient uses,” by Rachel Spence, January 14, 2012
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Philadelphia Weekly, "Bill Viola's ‘Ocean Without a Shore’ Confronts Death Head-on at PAFA,” by Katherine Rochester, December 21, 2011
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ART iT, "Bill Viola: Beyond Horizon," by Andrew Maerkle
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Artdaily.org, "2011 Praemium Imperiale art awards presented at formal ceremony in Tokyo," by Frank Robichon
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Highbrow Magazine
Highbrow Magazine, "Bill Viola: The Interview" by Karen Pyudik
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The Art Newspaper, "European definition of art is absurd" by Pierre Valentin, January 2011
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The Atlantic, "Moving Pictures" by Andrew Baker, January 2011
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Telegraph, "When is a light bulb not a light bulb?" by Mark Hudson, December 2010
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Three Thousand, "Bill Viola Interview" by Wilifred Brandt, October 4, 2010
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Beat Magazine, "Bill Viola" by Amelia Schmidt, September 29, 2010
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Herald Scotland, “Images of the Future” by Conrad Wilson
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The Guardian, “Tristan und Isolde in widescreen,” by Henrietta Bredin
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The New York Times, "Fire and Water, Death and Wagner," by Tim Teeman
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Rome Observer, "Video project adds new site location"
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The Brandeis Hoot, “Artists cancel exhibit until art is secure” by Ariel Wittenberg
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STLToday.com, “‘The Mourners’ and Bill Viola's ‘Visitation’ to close at SLAM” by Sarah Bryan Miller
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TheJerusalemPost.com, "A Union of Opposites" by Joshua Freedman
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WhatToVisitInMalaga.com, "Bill Viola and Pablo Ruiz Picasso in Malaga"
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St. Louis Beacon, “Review: ‘Mourners’ and Visitation make dramatic pairing at Art Museum,”
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New York Times, "Mulling Mortality, in the East and in the West," by Ken Johnson, May 6, 2010
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Art in America, "Artist to Artist: Peter Campus Image and Self" by Bill Viola, February 2010
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Whitehot Magazine, "In Conversation with Bill Viola," by Alissa Guzman, December, 2009
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Sunday Arts, "Bill Viola—Bodies of Light," by Susan Yung, October 30, 2009
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The Art Newspaper, "St Paul's Cathedral hopes for Tate visitors with Bill Viola plasma screen altarpieces," by Cristina Ruiz and David D'Arcy, July 8, 2009
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Bloomberg.com, "Viola's Video Altarpieces to Grace St. Paul's," by Martin Gayford, January 18, 2009
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Artforum, "Bill Viola Palazzo delle Esposizioni," by Eugenio Viola, December 10, 2008
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The Financial Times, "Quattrocento art and Bill Viola's videos," by Rachel Spence, November 1, 2008
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ArtDaily.org, "Palazzo delle Esposizioni in Italy Opens Bill Viola Exhibition", October 21, 2008
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Kukje Gallery Catalogue, "The Transfiguration Series," by Bill Viola, 2008
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Sydney Morning Herald, "Liberation of the senses," by Gerard Wright, April 5, 2008
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Art in America, "The Venice Biennale, all'americana," by Marcia E. Vetrocq, September 2007
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Tristan and Isolde Statement, "Moving Image World," by Bill Viola
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Tema Celeste, "Bill Viola," by Lara Gardellini, March/April 2007
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Los Angeles Times, "Doubt, dry spells and days in the desert," by Alan Rifkin, January 28, 2007
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Japan Times, "Slow-motion revelations," by Monty DiPietro, October 26, 2006
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Asahi, "In Sight/Arts：Video by Viola: awakening mind, body," by Olivia Qusaibaty, October 20, 2006
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Arts Newspaper, "Bill Viola's x-ray vision,", June 22, 2006
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Artinfo, "The ArtInfo Interview: Bill Viola," by Sarah Douglas, November 2005
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The New Yorker, "Bill Viola's Tristan: "The Waves"," by Alex Ross, May 30, 2005
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Modern Painters, "Real Time Players," by Clara Young, May 2005
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The New York Times, "In Pursuit of a Total Art, the Paris Opera Adds Video to 'Tristan und Isolde'," by Alan Riding, April 13, 2005
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Artnet, "The Tristan Project," by Hunter Drohojowski-Philp, December 15, 2004
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ArtNexus, "The Passions at the National Gallery, London," by Carina Gallegos, Vol. 3, 2004
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Bill Viola The Passions, "Bodies of Light," by Peter Sellars, 2003
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Art Review, "De Profundis," by Alexander Sturgis, October 2003
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Art Press, "Immersive Images: Bill Viola's Passions," by Anne-Marie Duguet, April 2003
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Flash Art, "Bill Viola: THe Domain of the Human Condition," by Clayton Campbell, March - April 2003
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Financial Times, "Visual arts: Out of the deep," by Clare Henry, October 04, 2002
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Artforum, "Bill Viola at James Cohan Gallery," by David Frankel, December 2000
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Art in America, "Bill Viola: Altered Perceptions," by Michael Duncan, March 1998
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Whitney Museum Catalogue, "A Feeling for the Things Themselves," by David Ross, February 12, 1998
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October, "Interview with Bill Viola," by Raymond Bellour, Fall 1985
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