Video by Particle Productions, 2008

 

Brazilian artist Beatriz Milhazes is well known for her vibrantly colorful, kaleidoscopic collages, prints, paintings and installations which draw on both Latin American and European traditions. Milhazes’ rigorously structured compositions are punctuated by a recurring set of arabesque motifs inspired by Brazilian culture, ceramics, lacework, carnival decoration, music, and Colonial baroque architecture.

 

 

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News / Events
Beatriz Milhazes Event at PAMM
Book Launch and Signing
Thursday, December 4th, 10:00am to 12:00pm
Pérez Art Museum Miami (PAMM) 1103 Biscayne Blvd. Miami, FL
image The Miami Herald
Articles / Reviews
The Miami Herald
"Pérez Art Museum Miami mounts colorful solo show from Brazilian painter Beatriz Milhazes," by Anne Tschida
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Museum Exhibition
Beatriz Milhazes at PAMM
Major US Survey Exhibition
Sept. 19, 2014 – Jan. 11, 2015
Perez Art Museum Miami, FL
image Vogue
Articles / Reviews
Vogue
“Carnival of Color,” by Dodie Kazanjian
ArtworksThumbnails
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BEATRIZ MILHAZES Chiclete com banana, 2011-2012 Acrylic on canvas 86 1/2 x 70 3/4 in. (220 x 180 cm)
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BEATRIZ MILHAZES Bye, bye, love, 2011-2012 Acrylic on canvas. 86 1/2 x 51 in. (220 x 130 cm)

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BEATRIZ MILHAZES Belezinha, 2011 Acrylic on canvas 31 1/2 x 31 1/2 in. (80 x 80 cm)
 
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BEATRIZ MILHAZES O Cowboy, 2010 Acrylic on canvas 31 1/4 x 30 7/8 in. (79.5 x 78.5 cm)

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BEATRIZ MILHAZES Gamboa, 2010 Mixed media Dimensions variable Installed at the Beyeler Foundation, Switzerland Photo: Serge Hasenböhler

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BEATRIZ MILHAZES Pierrot e Colombina, 2009/2010 Acrylic on canvas Triptych L: 102 1/4 x 55 in. (260 x 140 cm) C: 102 1/4 x 31 1/2 (260 x 80 cm) R: 102 1/4 x 55 in. (260x140 cm) 
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BEATRIZ MILHAZES Sal (Salt), 2009 Diptych: woodblock and screenprint 31.5 x 31.5 inches, 31.5 x 39.5 inches edition of 40
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BEATRIZ MILHAZES Canela (Cinnamon), 2009 Woodblock, woodcut and screenprint 31.5 x 63 inches edition of 40
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BEATRIZ MILHAZES Pimeta Vermelha (Red Pepper), 2009 Triptych: woodblock and screenprint 31.5 x 15.75 inches, 31.5 x 15.75 inches, 31.5 x 31.5 inches edition of 40
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BEATRIZ MILHAZES Açúcar (Sugar), 2009 Woodblock and screenprint 31.5 x 47.25 inches edition of 40
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BEATRIZ MILHAZES Mulatinho, 2008 Acrylic on canvas 97 5/8 X 97 5/8 inches
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BEATRIZ MILHAZES Sinfonia Nordestina, 2008 Acrylic on canvas 96 7/8 X 144 7/8 inches
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BEATRIZ MILHAZES Carambola, 2008 Acrylic on canvas 54 7/8 X 50 5/8 inches
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BEATRIZ MILHAZES Popeye, 2008 Acrylic on canvas 78 3/8 X 54 3/4 inches
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BEATRIZ MILHAZES Yogurt, 2008 Mixed media collage on paper 73 X 55 1/2 inches
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BEATRIZ MILHAZES Brinquelandia, 2008 Mixed media collage on paper 45 1/4 X 56 1/4 inches
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BEATRIZ MILHAZES Ice Grape, 2008 Mixed media collage on paper 53 1/8 X 44 1/4 inches
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BEATRIZ MILHAZES Mariposa, 2004 Acrylic on canvas 98 X 98 inches
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BEATRIZ MILHAZES Pacaembu, 2004 Acrylic on canvas 105 3/4 X 135 inches
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BEATRIZ MILHAZES Periquita, 2004 Acrylic on canvas 98 1/2 x 66 3/4 inches
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BEATRIZ MILHAZES Peace and Love, 2005, Gloucester Road Station Project Platform for Art Underground London, UK
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BEATRIZ MILHAZES Peace and Love, 2005, Gloucester Road Station Project Platform for Art Underground London, UK
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BEATRIZ MILHAZES Fig (Figo), 2006 Silkscreen and woodblock Paper: Hiromi Handmade DHM-11 Triple Thick Image Size: 70 X 47 inches Edition: 30 Image courtesy Durham Press
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BEATRIZ MILHAZES Phebo, 2004 Acrylic on canvas 78 5/8 x 118 1/8 inches
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BEATRIZ MILHAZES Taschen Store, New York City, NY, 2007
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BEATRIZ MILHAZES Window installation as part of survey exhibition "Beatriz Milhazes: Paintings and Collages" Estação Pinacoteca, Sao Paolo, Brazil September 6 - November 30, 2008
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BEATRIZ MILHAZES Window installation as part of survey exhibition "Beatriz Milhazes: Paintings and Collages" Estação Pinacoteca, Sao Paolo, Brazil September 6 - November 30, 2008
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BEATRIZ MILHAZES Guanabara, 2005 Tate Modern Restaurant Project, London, UK
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BEATRIZ MILHAZES Set design for Marcia Milhazes Contemporary Dance Company, 2008
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BEATRIZ MILHAZES Set design for Tempo de Verão (Summertime),by Marcia Milhazes Contemporary Dance Company, 2004
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BEATRIZ MILHAZES Baton, 2004 Collage on paper 60 3/8 x 53 7/8 in. (153.5 x 17 cm)

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BEATRIZ MILHAZES São Sabastião, 2003 Acrylic on canvas 98 x 15 1/2 in. (248.9 x 39.4 cm)

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BEATRIZ MILHAZES Paraty, 2001 Acrylic on canvas 70 x 31 in. (177.8 x 78.7 cm)

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BEATRIZ MILHAZES O beijo, 2001 Acrylic on canvas 75 3/16 x 118 in. (192 x 300 cm)

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BEATRIZ MILHAZES My Baby, 2000 Acrylic on canvas 70 x 70 in. (177.8 x 177.8 cm)

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BEATRIZ MILHAZES A Lua, 1997 Acrylic on canvas 47 1/2 x 55 1/4 in. (120.7 x 140.3 cm)

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BEATRIZ MILHAZES A Montanha, O Gato, O Cachorro, e O Principe, 1997 Acrylic on canvas 51 3/4 x 43 1/4 in. (131.4 x 109.9 cm)

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BEATRIZ MILHAZES Ipê Rosa, 1997 Acrylic on canvas 51 x 35 1/2 in. (129.5 x 90.2 cm) 

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BEATRIZ MILHAZES Com Amor, 1997 Acrylic on canvas 79 x 54 1/2 in. (200.7 x 138.4 cm)

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BEATRIZ MILHAZES Crianças fizeram um homem de neve, 1993-94 Acrylic on canvas 61 x 64 in. (154.9 x 162.6 cm)

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BEATRIZ MILHAZES Lovers in the Air ,1993 Acrylic on canvas 66 7/8 x 70 7/8 in. (170 x 180 cm)

Artist BioDownload Bio English PDF
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Photo Tom Fecht, Courtesy Fondation Beyeler

Beatriz Milhazes’ is well known for her vibrantly colorful, kaleidoscopic collages, prints, paintings and installations which draw on both Latin American and European traditions. Milhazes’ rigorously structured compositions are punctuated by a recurring set of arabesque motifs inspired by Brazilian culture, ceramics, lacework, carnival decoration, music, and Colonial baroque architecture. As Milhazes explains, “I am seeking geometrical structures, but with freedom of form and imagery taken from different worlds.” The artist has also cited opera, classical and Brazilian popular music as having informed the upbeat energy of her stripes, lines, circular forms, and rays. The careful balance of harmony and dissonance in her work, combined with her Technicolor palette, are evident of the strong influence by such 20th century masters as Tarsila do Amaral, Oswald de Andrade, Matisse, Kandinksy and Delaunay. Milhazes has stated “I need to have all these elements and put them together. They are in some sort of a conflict that will never really end up anywhere. There are not peaceful surfaces. There should be some struggle on the surface and then create some activities for your eyes” (Interview with Beatriz Milhazes, RES Art World/World Art, No. 2 May 2008). As the Fondation Cartier further explains, Milhazes’ “use of intensely vibrant colors, such as fuchsia, gold or orange, endows her canvases with an explosive energy that many have compared to the breathtaking rhythm of fireworks.”

 

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“At the end of the day, technique is very important in the context of my work. Because of it I can have a lot of super‐position” (Interview with Beatriz Milhazes, RES Art World/World Art, No. 2 May 2008). To create the elaborate interplay of shapes, circles, and circles‐within‐circles in her works, Milhazes uses a process closely aligned to monotype and collage. The artist first paints her motifs on a translucent plastic sheet that she applies to the canvas and leaves to dry. When she peels the plastic away, the resulting image is superimposed onto the canvas; however portions of paint are sometimes lost during the process. As the Fondation Cartier writes, “The slow and laborious process leads to rich palimpsests of overlaid images, some fully present, some masked, some only ghostly silhouettes.”

 

Beatriz Milhazes (born 1960 in Rio de Janeiro, Brazil) represented Brazil at the 2003 Biennale di Venezia.  Selected solo exhibitions include: 2014, Jardim Botanico, Perez Museum of Art, Miami, FL curated by Tobias Ostrender; 2013, Meu Bem, Paco Imperiale, Rio de Janeiro, Brazil travelled to Curitiba, Brazil curated by Frederic Paul; 2012 Panamericano, MALBA-Fundacion Costantini, Buenos Aires, Argentina curated by Frederic Paul;  2011, Beatriz Milhazes, Fondation Beyeler, Basel, Switzerland travelled to Calouste Gulbenkian Foundation, Lisbon, Portugal; 2009, Beatriz Milhazes, Foundation Cartier, Paris, France; 2008, Retrospective at the Pinacoteca do Estacao, Sao Paolo.  Beatriz Milhazes lives and works in Rio de Janeiro, Brazil

 

Milhazes’ work is included in prestigious International collections, including the Solomon R. Guggenheim Museum, Metropolitan Museum of Art and Museum of Modern Art, New York, NY; Carnegie Museum of Art, Pittsburgh, PA; Museo Nacional Centro de Arte Reina Sophia, Madrid, Spain; 21st Century Museum of Contemporary Art, Kanazawa, Japan; and Worcester Art Museum, Worcester, MA to name a few.

Exhibitions
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Gallery Exhibition
Beatriz Milhazes
Gold Rose Series
April 01 - May 01, 2010
New York
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Gallery Exhibition
Beatriz Milhazes
October 11 - November 15, 2008
New York
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Gallery Exhibition
Beatriz Milhazes
New Prints
March 09 - 31, 2007
New York
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Gallery Exhibition
Beatriz Milhazes
Summertime
October 22 - December 04, 2004
New York
Press / Media
Articles / Reviews
Artforum
“Beatriz Milhazes,” by Frank Expósito
Articles / Reviews
The Art Newspaper
“Beatriz Milhazes makes it all add up at Pamm,” by Julia Halperin
image The Miami Herald
Articles / Reviews
The Miami Herald
"Pérez Art Museum Miami mounts colorful solo show from Brazilian painter Beatriz Milhazes," by Anne Tschida
Articles / Reviews
Miami New Times
"Beatriz Milhazes' "Jardim Botânico": PAMM Features One of the World's Most Successful Female Artists," by Ciara LaVelle
image Vogue
Articles / Reviews
Vogue
“Carnival of Color,” by Dodie Kazanjian
Articles / Reviews
The Wall Street Journal
"Brazilian Artist Beatriz Milhazes Takes Center Stage in the U.S.," by Kelly Crow
Articles / Reviews
On View
"Jardim Botanico"
Articles / Reviews
Architectural Digest
"Beatriz Milhazes Brings Bursting Color to her First U.S. Retrospective," by Samuel Cochran
Articles / Reviews
Beyond, The St. Regis Magazine
“Carnival of Color” by Rachel Spence
Articles / Reviews
Frieze
"Beatriz Milhazes," by Silas Martí
Articles / Reviews
Art + Auction
"Art within Reach," by Julie Baumgardner
Articles / Reviews
Time
"Brazil Top Modern Artist gets Rio Homecoming," by AP/ Jenny Barchfield
Articles / Reviews
The Washington Post
"Brazil’s top modern artist, geometric abstractionist Beatriz Milhazes, gets Rio homecoming,” by Jenny Barchfield
Articles / Reviews
Art and Auction
Artist Dossier "Beatriz Milhazes" by Eileen Kinsella
Articles / Reviews
Financial Times
"New Art at the End of the Fairway," by Rachel Spence
Articles / Reviews
Ars Magazine
"The Year of Beatriz Milhazes," by Juan Manuel Bonet
Articles / Reviews
New York Times
"Modern Motifs, with Echoes of Brazil," by Carol Kino
Articles / Reviews
RES
"Interview with Beatriz Milhazes"
Articles / Reviews
Domaine de Kerguéhennec
"Christian Lacroix in Conversation with Beatriz Milhazes"
Articles / Reviews
Elle Decor
"Beatriz Milhazes," by David Colman
Articles / Reviews
BOMB
"Beatriz Milhazes," by Adriano Pedrosa
News
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News / Events
Book Launch and Signing
Thursday, December 4th, 10:00am to 12:00pm
Pérez Art Museum Miami (PAMM) 1103 Biscayne Blvd. Miami, FL
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Museum Exhibition
Major US Survey Exhibition
Sept. 19, 2014 – Jan. 11, 2015
Perez Art Museum Miami, FL
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Museum Exhibition
Solo Traveling Exhibition
August--October, 2013
Rio de Janeiro, Brazil
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Museum Exhibition
Solo Painting Exhibition
September--December, 2012
Buenos Aires, Argentina
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Museum Exhibition
Solo Exhibition
January--May, 2011
Basel, Switzerland
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Museum Exhibition
Solo Survey Exhibition
April-June, 2009
Paris, France
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News / Events
New Prints and Contemporary Dance
Books
image Beatriz Milhazes: Meu Bem
Publication
Beatriz Milhazes: Meu Bem
image Beatriz Milhazes: Snow in the Tropics
Publication
Beatriz Milhazes: Snow in the Tropics
image Panamericano
Publication
Panamericano
Beatriz Milhazes
image Beatriz Milhazes: Screenprints 1996-2011
Publication
Beatriz Milhazes: Screenprints 1996-2011
image Beatriz Milhazes
Publication
Beatriz Milhazes
image Beatriz Milhazes
Publication
Beatriz Milhazes
image Beatriz Milhazes
Publication
Beatriz Milhazes
image Beatriz Milhazes: Mares do Sul
Publication
Beatriz Milhazes: Mares do Sul